Produced by Bristol sound co-founder the musician-producer, this sharp-edged if slight first film turns a sceptical eye on 90s rave culture. Self-serving pillhead David (the actor) first robs an unconscious dealer, then in another flashback tries to burgle his own parents. In no time, he's upside down in the remains of his car in a forest – and subject to the wrathful eye of the Poacher (Sleaford Mods frontman Jason Williamson). Refusing to extricate David, with no time for townies, he is a fractured society embodied: “You’re one of those noisy cunts from up on the heath.”
Unsteady Opening and Darkly Funny Confrontation
The film begins uncertainly, spending too long on pedantically chronicling David’s attempt to extricate himself from his safety harness, while awkwardly transitioning into past scenes of his normal activities. The bigger point – that the ecstasy generation were mainly focused on number one – is clearly conveyed. But these brief episodes are too thin to properly prime us for what to expect when the Woodsman turns up, fuming after David kills his dog. Nevertheless, a grimly amusing duel takes hold – David eager to get away; the Woodsman withholding his jerrycan of scrumpy, intent on dousing him instead in resentful talk. Williamson, exuding heavy threat in the role, is reminiscent of Michael Smiley.
Visual Flair and Promo-Inspired Sensibility
Just a single important plot development, but it leads to a comically executed rampage on the forest trails that dips close to folk horror. Filmmaker John Minton at last unleashes with his showy imagery: where he was hunkered down doing impressionistic closeups of bugs in headlights in the opening part, he now goes all out with the full lysergic 21-gun salute, soundtracked to a wild organ version of Ravel’s Boléro. Game feels more like an elongated music video than a complete narrative, but there’s enough strident imagery to suggest that Minton could emulate Jonathan Glazer, Garth Jennings et al into making the leap from the UK video industry.
The film is in British and Irish cinemas from 17 November.
